In the quiet pulse of La Création du Monde, the works of Maïmouna Guerresi unfold as a meditation on the in-between of worlds – a summons to presence, to prayer, to the divine. Figures by Guerresi emerge draped with huge, fluid clothes that cover the form of the body, continuing beyond materiality to conjure the sacred, the unknown. These are not figures to be seen; they are beings to be felt, encountered for their opacity, their stillness. They draw us into their orbit, pulling us into the space where history and spirit converge. The figures are colossal and tender, intimate.
They do not stand for specific identities but as hosts of something much larger, something beyond categories and borders. They are figures of sovereignty, witnesses to the world in its unceasing motion, yet unmoved. These bodies speak to absence and presence, grief and joy, the vastness between everything. The garments that envelop them are more than coverings; they are vessels of memory, carrying with them traces of histories erased and reconstructed. They speak to a vastness, an eternity; a fluidity in times stretching across the continent, tying together scoured – aside pasts and indeterminate futures. The immobility of these figures serves to focus the impulses of an ancestral wisdom, a quiet strength that refuses to be encompassed by dominant voices which have told their stories and defined them.
Guerresi’s work does not allow the colonial gaze to dominate; instead, it calls us to witness, to listen, to feel the weight of what has been left behind and what remains. The figures do not simply exist in space; they inhabit it, expanding it, filling it with the quiet hum of the sacred. They are not defined by their surroundings but transform the space in which they exist, reaching towards the divine in a gesture of both longing and sovereignty. Light in Guerresi’s work is not a mere illumination but a force that shapes and shifts the figures, transforming them into luminous beings that resist the gravity of the world..